Showing posts with label Irish folklore. Show all posts
Showing posts with label Irish folklore. Show all posts

Saturday, October 29, 2016

Brody's Banshee


Brody’s Banshee
by Pat McDermott

Some years ago, on a late autumn day, my mother asked me to accompany her to Ireland to visit her elderly parents. She said no more, except that we must waste no time. As I am a dutiful son and well versed in the ins and outs of travel, I gently guided the dear lady from Boston to Shannon on the next available flight.

Throughout the journey, she sat in silence, locked in some private distress. Black clouds greeted us on the other side of the Atlantic, though the wind-driven rain subsided as I drove our rental car south. The sun’s reappearance cheered me. My mother, however, brooded during the entire drive. After several unsuccessful attempts to learn the cause of her anguish, I resigned myself to a quiet ride.

We reached Killarney an hour later. I slowed the car to negotiate the narrow streets, taking in the colorful shop fronts and horse-drawn carriages. Then I drove on to the house my mother left when she married my father thirty years earlier.

The family homestead sat in solitary splendor on ten County Kerry acres. A circular driveway took us past well-landscaped grounds to the front door. Despite the lovely setting, My mother stared at the dwelling with unmistakable dread.

My nimble grandmother greeted us with her customary warmth, yet her lilting accent held no cheer. The pleasant aroma of pipe tobacco announced my grandfather’s presence. Sure enough, the old fellow emerged from his study and greeted us with hefty hugs, adding an arm-wrenching handshake for me. He didn’t seem to notice my grandmother’s solemn demeanor.

“Come in, Nora!” he bellowed. “Come in, Brody! Get those coats off and we’ll have tea!”

My mother’s eyes glistened; her lip trembled. I had lost patience with her reticence and resolved to learn what was afoot if I had to bully it out of her.

“Right after we settle in, Pa,” I said.

Hefting our luggage, I led my mother upstairs. As always, she claimed her childhood bedroom. I set her bag on a chair. “What’s happening here, Mum?”

She closed the door. “I didn’t want to tell you before, Brody. You wouldn’t have believed me, and I couldn’t bear your teasing.”

“I won’t tease you. I’m listening.”

She held her breath before she continued. “Your grandmother heard the banshee.”

I didn’t tease, but I couldn’t keep my eyebrows down. “Has she? What about Pa?”

“He hasn’t heard it. The one the banshee cries for never hears it. I know you don’t believe it, Brody, but I’m afraid for my father.”

I thought of the burly man downstairs and smiled. Even at his advanced age, he was stronger than most men I knew, including me. “You’re worrying for nothing. Let me put my bag away and we’ll go down for tea.”

I chose my favorite guest room, a small but well appointed suite that overlooked the front entrance and afforded spectacular views of the gardens. Pulling the red velvet curtain aside, I enjoyed the scenery until the rain abruptly returned in raging torrents. The wind howled and moaned, as it would in such an open area. I understood why my grandmother believed she had heard a banshee.

According to legend, the eerie wailing of these spectral females supposedly heralds death. My mother often said she had heard one the night my father died. Such superstitions—peculiar weather omens, outlandish remedies, and charms that guaranteed spouses and wealth—had always amused me. My mother, however, believed in such things. On her kitchen wall, a horseshoe still hangs “points up” to keep the luck from running out, for all the good it has ever done her.

My own beliefs were centered in science. After earning a business degree, I joined a high tech firm and traveled often to visit its worldwide branches. My level-headed logic would help calm the ladies’ fears during this gloomy visit. I released the curtain and went downstairs.

In Ireland, they call supper “tea.” The housekeeper had set out the simple meal in the dining room, where a gas fire danced in an ornate hearth. We chatted our way through scones, salad, ham, and potatoes. My grandmother had just called for dessert when a loud knock sounded at the front door.

The women froze. Pa, however, seemed oblivious to the rapping. He continued telling a favorite story of his boyhood. As I had heard the tale often, I permitted my attention to drift. Why would someone use the knocker rather than the doorbell? When the housekeeper failed to answer the knock—no doubt she couldn’t hear it from the kitchen—I set my napkin on the table, strolled down the hall, and opened the door.

No one was there. I returned to the dining room and stated my opinion that the wind had caused the rapping.

Pa was lighting his after-dinner pipe. Through his initial puffs, he said, “That’s what I think, Brody. We old folks don’t hear so well anymore, and the wind plays tricks on your grandmother.”

He resumed his tale. His old briar pipe was well-fired now. He held it by the bowl, waving it to emphasize the key points of his story. Outside, the wind still howled.

Without warning, the howling rose to a ghastly shriek that burst into pitiful, piercing cries. The women grew pale, but Pa continued his narrative, clearly deaf to the paranormal screams that gripped his wife and daughter in breathless horror. I must confess that an unknown terror chilled me as well.

The hideous lamenting ceased just as Pa concluded his yarn. He chided the women for fearing the wind and weather. Soon we all rose and retired for the night. Despite the mysterious keening—whatever it was, I doubted any supernatural visitation had occurred—jet lag had left me exhausted. I fell straight to sleep.

Several hours later, I awakened to the clip-clop of horses and the rumbling of a rolling carriage. The bedside clock read three a.m. Who would be coming at this hour in a horse-drawn cart? I stole to the window and pulled back the velvet curtain.

Outside the front door, not one, but two horses stomped the ground before an old-fashioned carriage set on high wheels. A coachman in antique attire sat in the driver’s seat. The brim of his top hat hid his face. Thinking that the window glass might be distorting whatever was really down there, I lifted the sash. Cold air blew away the last remnants of sleep. I decided I was witnessing a costume drama.

I watched spellbound as two men attired like the coachman carried a shapeless black mass from the house. The carriage door opened. With calm efficiency, they hauled their burden inside.

The door snapped shut. The coachman cracked his whip and shook the reins. He glanced up. Our eyes met. His skeletal face contorted into a hideous, mocking smile. He touched his whip to the brim of his hat and cried, “Come aboard, sir! There’s plenty of room!”

Too shocked to speak, I made no response. He let go a high-pitched titter and drove off into the starless mist.


I paced my shadowy room until I convinced myself that I had experienced a nightmare. The lingering horror crumbled away. I found my bed and fell into a dreamless sleep.

Just past nine o’clock, I prepared for the day and went downstairs. The sound of strange voices surprised me. In the kitchen, my weeping mother and grandmother sat with uniformed emergency personnel whose calm demeanor belied any emergency.

My mother stood and hugged me. “Your grandfather is gone, Brody. He died in his sleep and suffered no pain.”

I didn’t believe it. “Why didn’t anyone call me?”

I raced up the back stairs to my grandparents’ room, where doctor and priest conversed in low tones. The shell of my grandfather lay on the bed, his hands folded on his chest, his forehead glistening with the holy unction of last rites. I knew then that a death coach had stolen away my precious Pa.

For months, the events of that night haunted me. I never mentioned the costumed coachmen. My level-headed logic eventually convinced me that some trick of the imagination had deceived me, that the death coach had been a dream after all.

A year later, I was in Boston when the news came that my grandmother had followed my grandfather to eternal rest. No wailing banshee accompanied her passing, at least not on this side of the ocean, and not because the banshee couldn’t cross the sea. I convinced myself that the banshee only existed at all because legend and the mysterious Irish landscape had joined forces to plant her in generations of imaginations.

Twenty years have passed. I am president of my own electronics company now. A year ago, I established a division in Dublin. After several transatlantic trips to oversee the startup of my new branch, I visited Ireland’s capital to attend the theater festival.

A howling, wind-driven rain greeted me when I arrived at Dublin Airport that autumn afternoon. I had a flat in the city center and carried only an overnight bag. I waited at the stop for the Dublin shuttle. The minibus pulled up. The door opened, and the passengers shifted politely to make space for me.

“Come aboard, sir!” called the driver. “There’s plenty of room!”

My half-raised foot stopped in midair. I looked into the same eyes I had seen in Kerry twenty years before. The same skeletal face with its hideous, mocking smile stared back at me, as it had then.

“Thank you,” I said. “I’ll wait for the next one.”

Was I the only one who had heard his high-pitched titter?

Transfixed, I watched the shuttle drive away. It stopped before turning out of the airport and onto the main road. Just as it pulled out, a speeding fuel truck slammed into it. Both vehicles burst into flames.

No one survived.
* * * * *
Happy Halloween,
Pat
 

(Brody's Banshee is loosely based on an old story by the late Shane Leslie. Pictures courtesy of Photobucket.)

Saturday, June 7, 2014

Ride the Fairy Wind!

The fairies of Ireland star in my young adult adventure novels, Glancing Through the Glimmer, and its sequel, Autumn Glimmer. I couldn’t have written these books without learning more about the Good Folk and their ways, and my research has led to bursting bookshelves. Most of these volumes are my own acquisitions, though some are on loan from my aunts’ incredible library of Irish lore and history, books so old the pages are falling apart. Among my favorites are the authoritative A History of Irish Fairies by Carolyn White, and Meeting the Other Crowd, a fascinating collection of eyewitness accounts of “Them” from Irish oral tradition.

Autumn Glimmer features the Fairy Wind, a supernatural phenomenon known in Irish as the Sí-gaoith (Shee-gwee-ha). According to those who understand such things, the Fairy Wind usually signals the passage of a fairy troop. In its more sinister forms, the wind delivers a grave warning to mortals trespassing on or interfering with fairy property—and it inflicts dire vengeance upon those who foolishly ignore the warning.

The Good Folk aren’t all bad, however. Sometimes the Fairy Wind serves as a gift to those who require assistance. A farmer struggling to harvest his hay might find it suddenly blown into a tidy pile, thank you very much.

Mortals have, of course, provided every account I’ve seen of the Sí-gaoith. In this brief excerpt from Autumn Glimmer, I offer the Good People’s take on the Fairy Wind. As “They” have clearly allowed me to do so, who knows? Perhaps this is how it really happens.
A breeze arose in Crooked Wood, a whistling gust that rapidly grew loud and powerful.

Blinn shouted over the racket, "Line up, boys. We’re going for a ride!"

Lewy scooted behind her; Mell took up the rear. Around them, fallen foliage whirled like tiny tornadoes, gaining in speed and number until they formed a wall of buzzing, spinning leaves.

"Whoa ho!" Mell cried as they rose in the air.

He grabbed Lewy’s waist, and Lewy grabbed Blinn’s. A sudden upward tilt forced them to sit on the firm bed of leaves. The wind took off, soaring like a magic carpet, whisking them up and over the treetops. Lewy whooped. Blinn shrieked with delight. Even Mell laughed.

Secure in Blinn’s glimmer, Lewy held tight to her willowy waist and gazed down at the water. The small oval lake glittered beneath the slanted rays of the rapidly tiring autumn sun. Shadows from the approaching storm clouds speckled the falls at the pond’s northern end.

Their bird’s-eye view revealed the remains of the crannog, submerged near the reedy eastern shore. Or was it submerged? From so high up, the ruins appeared to break through the pond’s glassy surface. An illusion, no doubt.

On the western shore, a small bog sloped from a knoll to the edge of the crystalline water. Boulders littered the southern shore, the passage by which the Daoine Linn accessed Crooked Wood every seven years. The woods glowed in the autumn light as if an invisible hand had slathered the treetops with honey and marmalade. Lewy’s mouth watered to think of such treats, but he had no time to admire the show: Blinn veered sharply east.

Thousands of years before, the mortals had cleared the land of the rubble the big ice had left behind. They built walls of stone, creating neat squares for pastures and farmland. The familiar squares still checkered the emerald landscape, and the road to the house unspooled through the patchwork. In the distance, the mist-wrapped Wicklow hills endured, standing like phantom sentinels, a bulwark between the sinister sea and the midland lakes the Daoine Linn called home.

The carpet of leaves abruptly dropped. A trapdoor opened in Lewy’s gut. He managed to keep from screaming, but Mell roared in horror.

"Hey! You could warn a guy!"

"Sorry," yelled Blinn. "It went down by itself, and I can’t get it to go back up."

"I knew it," Mell said. "You’re tired. Lewy, call up your glimmer and help her!"

Lewy scrunched his eyes and tried. Feathers of glimmer tickled him from his toes to his ears. He had to coax it, expand it fast, make it fill his chest and shoot to his fingertips, but he couldn’t remember how. Many wheels of time had spun since he’d last summoned glimmer.
The Fairy Wind bucked and plunged through the air.
* * * * *
Glancing Through the Glimmer / Available in Print and eBook
 Autumn Glimmer / Available in Print and eBook
Amazon U.S.

Amazon U.K.

Tuesday, April 8, 2014

Away With the Fairies

“In a shady nook one moonlit night a leprechaun I spied . . .”

Thanks to my family’s love of music, I learned the poem/song, The Leprechaun, when I was knee-high to a fairy. ‘Twas on an Irish record, of course, one of many recorded by the great Irish tenor, John McCormack. (Enjoy The Leprechaun in its entirety at the end of this post.)

I knew about the teensy Tinker Bell types of fairies from stories like Peter Pan and Sleeping Beauty, but the fairies of Irish folklore were always leprechauns to me. Not so, I learned while delving into the wealth of literature depicting these elusive beings. Leprechauns belong to the class of “Solitary Fairies,” which includes cluricauns, dullahans, pookas, merrows, silkies, and banshees.

Then we have the “Trooping Fairies” who party in crystal palaces beneath the Knock Ma (See Knock Moo), the hill in County Galway said to house the palace of Finvarra, the King of the Connaught Fairies. Finvarra costars in my Young Adult novel, Glancing Through the Glimmer. We didn't meet him the day we visited Knock Ma, but the local postman assured us that he and his troop were there.

It’s no surprise that these beings and the lore surrounding them have inspired many tales over the years. Glancing Through the Glimmer incorporates alternate Irish history with the magic of the Other Crowd, and it has been a joy to research.

More than once, I’ve felt inexplicable tugs toward wonderfully inspiring articles and books. I've learned that Irish lakes provide homes for water fairies, who live in underwater palaces, such as the one featured in Autumn Glimmer, the sequel to Glancing Through the Glimmer. And the leprechauns star in A Pot of Glimmer, the third book in the Glimmer series, currently in the works.


I’ve found countless web sites devoted to fairies, faeries, fae, fay, etc. During my latest visit to Ireland, I added several volumes on the Good Folk to my personal library. The public library helped my research too, but my most successful foray was into the incredible collection of Irish books my aunts have compiled over the years (See Seeking Irish Heroines.)

Every culture has fairies, whole hierarchies of them. In Ireland they aren’t the cute little Walt Disney squeakers we all know and love. Many are human-size, and all can be downright mean if one crosses them. Hair, eyes, teeth, and toenails can all fall out if we mortals distress them. (I'm in high hopes they’ve willingly joined the cast of the Glimmer Books.)

My grandmother once said that when she was a child in County Sligo (circa 1910), her father would set out a line of stones before he erected an outbuilding on their farm. If in the morning the stones were still where he’d placed them, he knew he was good to go. If not, then the fairies had disapproved of his choice, and he had to try again. Superstitious nonsense?

I’ve visited Ireland too many times to be sure, to be sure. What do you think?

The Leprechaun
(Attributed to Robert Dwyer Joyce)

In a shady nook one moonlit night,
A leprechaun I spied
In a scarlet cap and a coat of green,
cruiskeen* by his side.
'Twas tick, tack, tick, his hammer went
Upon a tiny shoe,
And I laughed to think of a purse of gold,
But the fairy was laughing too.

With tiptoe step and beating heart,
Quite softly I drew nigh.
There was mischief in his merry face,
A twinkle in his eye.
He hammered and sang with tiny voice
And drank his mountain dew.
And I laughed to think he was caught at last,
But the fairy was laughing too.

As quick as thought I seized the elf.
"You're fairy purse!" I cried.
"The purse," he said, "is in her hand,
The lady by your side."
I turned to look, the elf was off,
And what was I to do?
Oh, I laughed to think what a fool I'd been,
And the fairy was laughing too.

* jug

Monday, November 7, 2011

Enya the Bride

When the ancestors of the modern Irish arrived in Ireland 1700 years before Christ, they defeated the Tuatha de Danann, the magical Tribe of the Goddess Danu. The leader of the Dananns, a womanizing rascal named Finvarra, negotiated a truce with the Irish that gave them half of Ireland—the bottom half. And so, the Dananns became known as the Daoine Sídhe (Deena Shee), the People of the Mounds.

Finvarra supposedly lives in a palace beneath a hill in Galway. During a recent trip to the Emerald Isle, I stopped by this hill, called Knock Ma (See my post, Knock Moo). I wanted to see Finvarra's home, as he costars in Glancing Through the Glimmer, my young adult adventure coming soon from MuseItUp Publishing. I didn't meet him that day, but the local postman assured me that he and his fairy troop were there.

Here is a wonderful old Irish tale starring Finvarra, the King of the Connaught Fairies.

ENYA the BRIDE
Retold by Pat McDermott

As everyone knows, the beauty of mortal women attracts the fairies. Finvarra, the King of the Connaught Fairies, enlisted his minions to find and abduct the prettiest ladies in Ireland. The fairies bewitched the loveliest women and brought them to Finvarra’s crystal palace beneath Knock Ma in Galway. The women heard only fairy music, which lulled them into a trance. They remained enchanted, forgetting about mortal life and living as if in a dream.

Long ago, in that part of the country, a great lord had a comely wife called Enya. He held feasts in her honor and filled his castle from dawn till dusk with music. Lords and ladies danced with great pleasure in Enya’s honor.

At the merriest part of the feast one evening, Enya entered the dance. She wore silver gossamer bound with jewels that outshone the stars in heaven. Suddenly, she released the hand of her partner and fell to the floor in a swoon.

The servants carried her to her chamber, where she lay insensible all night. At dawn, she awoke and told them she’d spent the night in a beautiful palace. "Oh, how I long to go back to sleep and return there in my dreams!"

The servants watched her all day, and she fared well enough, but when evening fell, they heard music at her window. She fell again into a trance from which no one could rouse her.

The young lord set Enya’s old nurse to sit with her, but the silence enticed the woman to sleep until dawn. When she looked at the bed, she saw to her horror that Enya had vanished.

The household searched the castle and gardens but found no trace of Enya. The young lord sent riders into the wind, but no one had seen her. He saddled his chestnut steed and galloped away to Knock Ma to speak to Finvarra, the King of the Fairies, for he and Finvarra were friends. Many a keg of good wine did the young lord leave outside his castle to quench the thirst of the fairies. Finvarra would surely have tidings of Enya.
But little did the young lord know that Finvarra himself was the traitor.

When the young lord stopped by the fairy rath, he heard voices in the air: "Finvarra is happy now, for in his palace he has the bride who will never more see her husband’s face."

"Aye," spoke another. "Finvarra is more powerful than any mortal man, though if the husband dug down through the hill, he would find his bride."

The young lord swore that devil nor fairy nor even Finvarra himself would stand between him and his bride. He sent word to every able-bodied man in the county to come with their spades and pickaxes, and they dug to find the fairy palace.

They made a deep trench, and at sunset they quit for the night. But the very next morning they found that the clay was back in the trench, as if the hill had never been dug.

The brave young lord asked the men to continue their digging, and they dug the trench again. For three days they dug with the same result: the clay was put back each night, and they were no nearer to Finvarra’s palace.

The young lord prepared to die of grief, then he heard a whisper in the air: "Sprinkle the soil you have dug with salt, and the salt will preserve your work."

He scoured the countryside for salt. That night, his men salted the soil they had dug that day. At dawn, they awakened to find the trench safe and the earth untouched around it.
The young lord knew he had beaten Finvarra. He bade the men dig, and by the next day, they’d cut a glen right through the hill. When they put their ears to the ground, they heard fairy music, and voices floated on the air.

"Now," said one, "Finvarra is sad, for if those men strike a blow on his palace, it will crumble and fade away."

"Then let him surrender the bride," said another, "and we shall all be safe."

Then Finvarra himself spoke clear as a silver bugle: "Stop!" he said. "Lay down your spades, mortal men, and at sunset the bride shall return to her husband. I, Finvarra, have spoken."

The young lord commanded his men to stop digging. At sunset he mounted his chestnut steed and rode to the top of the glen, and just as the sun turned the sky blood-red, Enya appeared on the path. He lifted her to the saddle, and they rode to the castle like storm wind.

But Enya spoke not a word. Days passed, then months, and she lay on her bed in a trance.

Sorrow fell over the castle. The young lord and his people feared the enchantment could not be broken. But late one night, when he rode in the dark, he heard voices in the air.

"It is now a year and a day since the young lord reclaimed his bride, but she is no use to him. Though her form is beside him, her spirit is still with the fairies."

Another said, "She will be so until he breaks the spell. He must loosen the pin from the girdle she wears at her waist, and then he must burn the girdle. He must throw the ashes before the door and bury the pin in the earth. Only then will she speak and know true life."

The young lord spurred his horse and hastened to Enya’s chamber, where she lay like a lovely wax figure. He loosened her girdle and found the pin in its folds. He burned the girdle and scattered the ashes before the door, and he buried the pin in the earth, beneath a fairy thorn, that no hand would disturb it.

When he returned to his young wife, she looked up at him smiling and held out her hand.

Knock Ma
Joyfully he raised her to him and kissed her, and she stood as if no time had passed between them, as if the year she had spent with the fairies was only a dream.

The cut in the hill remains to this day and is called "The Fairy’s Glen."

("Enya the Bride" originally appeared on The Celtic Rose)